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Caminiti plunge us into a bath of poetry and humor through his assemblage… Objects assembled in unlikely combinations, or rather parts of disarticulated objects, stripped down and reassembled to form something like mysterious machines. “I use these fragile and flexible fishing rods more for their lines, than for the object itself with all it suggests.” Even if it wasn't intended, these assemblages end up resembling, skeletons, animal forms, insects, and become allusive silhouettes. Besides, the wall pieces with their light and fragile aspect, have already made me think of a collection of pinned butterflies, when they are stocked in the studio on the same wall! The floor pieces generally use an entire or deviated object, rather massive, as their base. However, I think they preserve an aerial and mobile quality owing to the simple use of the wheel or objects for transportation in general. In effect, bicycle parts, baby strollers and carriages, plough wheels, shopping carts... etc., suggest displacement and movement. there is almost always an impression of imagined mobility, because in fact these elements are attached to the floor. It is more like a frozen motion, a photographic image. These
different objects thus form a kind of vocabulary from which I can
take at will. |
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martin caminiti a famous artist which sculptures and drawings are collected over many worlwide museums, art collector of caminiti martin.